In no particular order: Oja Santangelo, Twirlsters McGee, Hoos, Crazy Legs Johnson, Eduardo Retardo, Lopers, Crazers, Cornwall, Who’s-Good-Who’s-Bad, Scoutsters, Crazy Boy, Hoser, Moser, Loopy, Chompers, Loungers, Snickle Snoo Snickle Snee. Sources inform me that Memphis is Burning will be TRP’s lead spring title. I am currently on a mission to find the erstwhile-makers of Skeleteens [...]
- “Nathan presents the reader with several fantastic characters in this rollicking, adventurous tale. Readers will pore through this fast-paced, adrenaline-filled novel and eat up the fantastic dialogue that brings Elvis back to life in a new, deliciously lascivious way.”
— Julie Hunt, Booklist - “…engaging…a blend of the slapstick and the slapdash, the ironic and the painfully sincere…a wild road trip, a yarn spiced with plenty of humor and romance….”
— Michael Lindgren, The Washington Post - “A novel of lost souls and a lost America . . . the idea of Elvis Presley hiding in plain sight as an Elvis impersonator is a stroke of genius. Losing Graceland is pure entertainment.”
— Tottenville Review - “Less about the hip-swiveling sex icon and more about friendship, Losing Graceland isn’t just a tall tale of another Elvis impersonator, but about life’s journey through bumps in the road….The road to Memphis is an interesting, if not endearing one, for the pair, who — gold rings and jumpsuit aside — find themselves to be surprisingly similar.”
— Kelci Shipley, Marie Claire - "…Ben has undreamed-of experiences on this strange journey….with quirky characters and homespun wisdom, this will appeal to fans of literary coming-of-age-stories.”
— Cheryl Conway, Library Journal - “In all the commercial and cultural carryings-on that are likely to happen in this, Elvis’ 76th birthday season, one of the richest may be Micah Nathan’s second novel Losing Graceland….a highly entertaining and rambunctiously readable second novel.”
— Jeff Simon, The Buffalo News
“The duo’s adventures—brawling with the biker gang Hell’s Foster Children, competing in Elvis impersonator contests, visiting hillbilly oracles—are entertaining…”
— Publishers Weekly- “Micah Nathan’s first novel, Gods of Aberdeen, was a critically acclaimed story of adolescent angst. His follow-up, Losing Graceland, mines similar thematic territory as it follows another central male character, Ben Fish, on a wild and weird road trip….a fun, fast read for Presley devotees and coming-of-age fiction fans alike.”
— Lizza Connor Bowen, Book Page - “Thus begins the weirdest of buddy adventures, with feckless Ben playing first mate to the is-he-or-isn’t-he Elvis, a superannuated hillbilly with the unearthly self-possession of a Zen master. En route to points south, the adventurers tangle with a one-eyed pimp, a trio of roadhouse sirens, a backwoods soothsayer, and other low-rent variations on a Homeric theme…[with] antic originality [and] the near-magic realism of Elvis as a geriatric Ulysses….”
— Amanda Heller, The Boston Globe
“…a rambunctious coming-of-age tale…”
— Colette Bancroft, St. Petersburg Times
“Micah Nathan’s low- and high-spirited, rambunctious road novel is an exploration of loss, faith, and human frailty—and as befits a story involving a character who just might be Elvis Presley, it’s also sad, unpredictable, and rather tragically funny.”
— Brian Groh, author of Summer People- “Micah Nathan is a hell of a writer. Losing Graceland is a postmodern picaresque, overflowing with sly wit, pop culture icons, contemporary fretfulness, authentically touching revelations, and, most important, plain old good writing. Nathan writes with a grace and eloquence that is all too rare. He understands the awesome power of storytelling and myth making, and has written a book as much about that power as it is an example of it. A textured and deeply gratifying literary journey.”
— Alden Bell, author of The Reapers Are the Angels - “Losing Graceland is an alluring parable for a generation forced to find adulthood in the wreckage their elders have left behind in Great Recession America…Micah Nathan—his perspective pleasantly off-kilter, his voice spare, wry, and occasionally down-right evocative—has created a confident narrative for Ben Fish’s road trip of introspection and self discovery.”
— Stephen White, author of the NYT bestselling Alan Gregory series