Losing Graceland Cover Art
  • “Nathan presents the reader with several fantastic characters in this rollicking, adventurous tale. Readers will pore through this fast-paced, adrenaline-filled novel and eat up the fantastic dialogue that brings Elvis back to life in a new, deliciously lascivious way.”
    — Julie Hunt, Booklist
  • “…engaging…a blend of the slapstick and the slapdash, the ironic and the painfully sincere…a wild road trip, a yarn spiced with plenty of humor and romance….”
    — Michael Lindgren, The Washington Post
  • “A novel of lost souls and a lost America . . . the idea of Elvis Presley hiding in plain sight as an Elvis impersonator is a stroke of genius. Losing Graceland is pure entertainment.”
    Tottenville Review
  • “Less about the hip-swiveling sex icon and more about friendship, Losing Graceland isn’t just a tall tale of another Elvis impersonator, but about life’s journey through bumps in the road….The road to Memphis is an interesting, if not endearing one, for the pair, who — gold rings and jumpsuit aside — find themselves to be surprisingly similar.”
    — Kelci Shipley, Marie Claire
  • "…Ben has undreamed-of experiences on this strange journey….with quirky characters and homespun wisdom, this will appeal to fans of literary coming-of-age-stories.”
    — Cheryl Conway, Library Journal
  • “In all the commercial and cultural carryings-on that are likely to happen in this, Elvis’ 76th birthday season, one of the richest may be Micah Nathan’s second novel Losing Graceland….a highly entertaining and rambunctiously readable second novel.”
    — Jeff Simon, The Buffalo News



  • “The duo’s adventures—brawling with the biker gang Hell’s Foster Children, competing in Elvis impersonator contests, visiting hillbilly oracles—are entertaining…”
    Publishers Weekly
  • “Micah Nathan’s first novel, Gods of Aberdeen, was a critically acclaimed story of adolescent angst. His follow-up, Losing Graceland, mines similar thematic territory as it follows another central male character, Ben Fish, on a wild and weird road trip….a fun, fast read for Presley devotees and coming-of-age fiction fans alike.”
    — Lizza Connor Bowen, Book Page
  • “Thus begins the weirdest of buddy adventures, with feckless Ben playing first mate to the is-he-or-isn’t-he Elvis, a superannuated hillbilly with the unearthly self-possession of a Zen master. En route to points south, the adventurers tangle with a one-eyed pimp, a trio of roadhouse sirens, a backwoods soothsayer, and other low-rent variations on a Homeric theme…[with] antic originality [and] the near-magic realism of Elvis as a geriatric Ulysses….”
    — Amanda Heller, The Boston Globe




  • “…a rambunctious coming-of-age tale…”
    — Colette Bancroft, St. Petersburg Times


  • “Micah Nathan’s low- and high-spirited, rambunctious road novel is an exploration of loss, faith, and human frailty—and as befits a story involving a character who just might be Elvis Presley, it’s also sad, unpredictable, and rather tragically funny.”
    — Brian Groh, author of Summer People
  • “Micah Nathan is a hell of a writer. Losing Graceland is a postmodern picaresque, overflowing with sly wit, pop culture icons, contemporary fretfulness, authentically touching revelations, and, most important, plain old good writing. Nathan writes with a grace and eloquence that is all too rare. He understands the awesome power of storytelling and myth making, and has written a book as much about that power as it is an example of it. A textured and deeply gratifying literary journey.”
    Alden Bell, author of The Reapers Are the Angels
  • “Losing Graceland is an alluring parable for a generation forced to find adulthood in the wreckage their elders have left behind in Great Recession America…Micah Nathan—his perspective pleasantly off-kilter, his voice spare, wry, and occasionally down-right evocative—has created a confident narrative for Ben Fish’s road trip of introspection and self discovery.”
    Stephen White, author of the NYT bestselling Alan Gregory series

Han vs. Vader

November 5, 2011

NY was terrific–there was talk of JTB making a 2012 Comic-Con appearance, I ate whole wheat doughnuts at Chock Full O’ Nuts, and Jud told me about the pig-faced freaks/Nazi doctor/Roswell alien landing theory (not his theory, btw). Then my little cousin made the trek from Tribeca to Midtown, we ordered in, and fell asleep [...]

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Thoughts on MFA

October 25, 2011

Woke up to this: Hello Micah: I’m thinking of applying to MFA programs (not that you need to know which ones, but Iowa is top on my list) and wanted your input. Did you learn anything at yours? Did it improve your writing? I know you’ve said the most important thing is writing every day [...]

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One Peace Books

October 23, 2011

I’m a sucker for movies where people run through hallways (but never really run run), and orchestral strings shriek, and the killer is close behind. I like the chase. I don’t like the actual killing anymore. Or, as it could be called, the money shot. Horror should be about the chase, not the death. This is where [...]

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Jack the Bastard and Other Stories

October 9, 2011

I am still in Buffalo, enjoying this San Diegonian weather, the triumphant Bills, and various exotic meats. Tonight we feasted upon bear bacon and sauteed kangaroo. It was…kingly. A bit excessive. A “checkmark” meal, as in: “Well, I’ve eaten that.” So it looks like my first collection will be released in June, 2012, and said [...]

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Shadowgun

September 28, 2011

“…well worth the price of admission.” – The Washington Times “…an incredible experience.” – UnboundGamer “Brings handheld gaming out of the shadows.” – Touch Reviews “…its tone is so over-the-top that it’s delightful.” – Gamezebo The reviews are in, and they are stellar. Madfinger did it, and “it” feels like a mini paradigm shift–the standards [...]

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Everything Always Works Out.

September 23, 2011

So Entourage ended and everything worked out. As always. The show’s fatal flaw–lack of real conflict or lasting consequences–remained to the bitter, defiant end. At least this is what I heard. I haven’t watched a season since the one where Billy worked as a porn director. I grew tired of the Ari-tracking-shots, the cartoonish Drama, [...]

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Man, Sword, Raven.

September 8, 2011

This is a short update. The semester has started and I…am…tired. Still, before my eyes close… My foray into Old Norse continues–the grammar is very difficult, the pronunciation nearly impossible (and unknowable, aside from the modern Icelandic tongue), and I keep getting distracted by all those wondrous kennings. A kenning is a word-as-metaphor, often hyphenated, [...]

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Very Mad Max

August 24, 2011

Mel Gibson’s bigoted rants ruined my fun; I grew up on his movies and his particular form of irreverent action hero, watching him transition from an Aussie-accented gunslinger to a sort of post-modern Cary Grant (a role now firmly occupied by George Clooney), before he started railing against Jews and black folk and his plasticized [...]

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All Growns Up.

August 18, 2011

I met Brian Jenkins during my first official screenwriting job. Mr. Jenkins–fresh out of undergrad and still dating his college girlfriend–was a script advisor/idea man who consistently out-thunk the producers. And yet, as is the plight of most young creative types, his ideas were largely ignored. In favor of producer-spawned sequences such as this: Scene: [...]

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Impalements.

August 12, 2011

My parent’s forest has a tree of woe. It’s suspended within a neighboring tree. Nobody knows how it got there. I’m waiting for it to fall and impale someone. The prospect fills me with…dread glee. The Gettysburg Review‘s autumn issue is out, and my story “One Act” is contained therein. I’d always wanted to begin [...]

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